Volker Bertelmann is a classically trained pianist and composer from Germany, currently residing in Düsseldorf.

After spending ten years studying classical piano, he began creating music under the name Hauschka, where his focus lies in experimenting with the possibilities of the “prepared” piano. This approach challenges the traditional image of the piano as a purely clean and tonal instrument. By slipping pieces of leather, felt, or rubber between the strings, covering the hammers with aluminum foil or textured films, balancing bottle caps on the strings, wrapping guitar strings through the frame, or fixing them with gaffa tape, he produces tracks that are both inventive and full of charm. The results are lively, unconventional works born from a spirit of playful exploration.

Instead of chasing strict academic perfection, Volker’s style draws on influences that stretch far beyond the classical tradition. His music reflects the textures of modern electronica and the layered sounds of Indonesian gamelan just as much as the established classical repertoire. Through his experimental methods, the piano becomes not only an instrument for melody but also a generator of rhythm. From time to time, Hauschka introduces other elements into his compositions, such as synthesizers, drum machines, bass guitar, or additional acoustic instruments like vibraphone, brass, and strings. His work can take the form of rhythmic miniatures or gentle ballads, carrying echoes of East Asian harmonies, the minimalism of Reich, Glass, and Nyman, and the spirit of composers like Satie and Ravel.

Music-News.com had the opportunity to meet with Volker Bertelmann to learn more about his musical journey so far and to talk about the release of his latest record, Foreign Landscapes. This conversation took place ahead of a private performance at his London publishing house, featured in full (uncut) below, along with several other must-watch videos.